<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Annelise Stern]]></title><description><![CDATA[Gestion de projets artistiques à 360° avec 7 ans d’expérience dans des environnements innovants et sous tension, spécialité Art + Tech + Impact.]]></description><link>https://www.agencenana.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Sun, 20 Sep 2026 20:20:35 GMT</lastBuildDate><atom:link href="https://www.agencenana.com/fr/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[AI as an In-Between: What Artists Who Inhabit the Machine Can Teach Us About Fragmentation]]></title><description><![CDATA[Based on the work of Albertine Meunier and aurèce vettier by Annelise Stern For the past few years, one question has been systematically asked of artists working with artificial intelligence. I have heard it in studios, at exhibitions, over dinner, sometimes phrased as an almost aggressive joke: but are you really the one creating? This question never fails to irritate me, perhaps because it rests on a deeply romantic notion of creation. As though artists had always worked alone, in complete...]]></description><link>https://www.agencenana.com/post/ai-as-an-in-between-what-artists-who-inhabit-the-machine-can-teach-us-about-fragmentation</link><guid isPermaLink="false">6aa00b756e4f334c1f50dcfa</guid><pubDate>Tue, 08 Sep 2026 13:22:10 GMT</pubDate><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[L’IA comme entre-deux : ce que les artistes qui habitent la machine nous apprennent de la fragmentation]]></title><description><![CDATA[À travers les pratiques d’Albertine Meunier et d’aurèce vettier, Annelise Stern explore l’intelligence artificielle comme un espace de création entre intention et accident, maîtrise et lâcher-prise.]]></description><link>https://www.agencenana.com/fr/post/ia-comme-entre-deux-artistes-machine-fragmentation</link><guid isPermaLink="false">6aa030d9e9e7401be16d6077</guid><pubDate>Tue, 08 Sep 2026 13:22:10 GMT</pubDate><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[CURATORIAL MANIFESTO: You are already between.]]></title><description><![CDATA[You just don’t know it yet. The art world has not fractured. It has fragmented. Every fracture implies an intact before, followed by a moment of rupture, and the promise of an impossible repair. Fragmentation, by contrast, is a diffuse, structural condition, with no identifiable point of origin. Fragmentation does not suddenly happen one morning. It grows in blind spots, in the silent shifts of institutions, in the splintering of the market, spreading through the proliferation of communities...]]></description><link>https://www.agencenana.com/post/curatorial-manifesto-you-are-already-between</link><guid isPermaLink="false">6aa009496dbbe8c95dd4d1cf</guid><pubDate>Tue, 08 Sep 2026 13:16:53 GMT</pubDate><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[Manifeste curatorial : vous êtes déjà dans l’entre-deux]]></title><description><![CDATA[Dans un monde de l’art fragmenté, Annelise Stern défend le betweenness curatorial : une position de passage qui relie les mondes, maintient le dialogue et rend la rencontre possible.]]></description><link>https://www.agencenana.com/fr/post/manifeste-curatorial-vous-etes-deja-dans-entre-deux</link><guid isPermaLink="false">6aa0317604aed4b647ae782d</guid><pubDate>Tue, 08 Sep 2026 13:16:53 GMT</pubDate><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[THE FOOTBALLISATION OF THE CONTEMPORARY ART MARKET]]></title><description><![CDATA[A major gallery today operates like a major football club. We no longer defend a work; we defend a brand.]]></description><link>https://www.agencenana.com/post/the-footballisation-of-the-contemporary-art-market</link><guid isPermaLink="false">6a9e8d7293459ad5eb4dec4f</guid><pubDate>Mon, 07 Sep 2026 10:15:38 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/9546bd_da6f8ca17ad44faba748d21a1567e798~mv2.jpg/v1/fit/w_1000,h_667,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[ARTISTS THAT TRAUMATIZE ART GALLERISTS]]></title><description><![CDATA[We are currently witnessing the rise of a certain kind of artist who, over the next few years, is likely to become the nightmare of many gallerists. And yet, these artists are not lacking in talent. Quite the opposite. Sales are there too. They sell well, sometimes extremely well. So what exactly is wrong with these supposed golden geese? Let me tell you about the cultural and generational clash currently reshaping the art market and knocking quite a few gallerists off their chairs. If I had...]]></description><link>https://www.agencenana.com/post/artists-that-traumatize-art-gallerists</link><guid isPermaLink="false">6a9e8bb293459ad5eb4dea65</guid><pubDate>Mon, 07 Sep 2026 10:09:30 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/9546bd_760cec20f3454b43a5469cb0e4514fb1~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[Ces nouveaux artistes qui traumatisent les galeristes.]]></title><description><![CDATA[On assiste en ce moment à l’essor d’une certaine catégorie d'artistes qui va devenir, dans les années à venir, le cauchemar de bon nombre de galeristes. Pourtant ces derniers ne manquent pas de talent, et les ventes sont au rendez-vous. Ils vendent bien, même très bien. Mais alors, qu’est-ce qui cloche chez ces fameuses poules aux œufs d’or ? Laissez-moi vous conter le choc des cultures et des générations qui est en train de retourner le marché de l’art et de faire tomber un sacré paquet de...]]></description><link>https://www.agencenana.com/fr/post/ces-nouveaux-artistes-qui-traumatisent-les-galeristes</link><guid isPermaLink="false">6a70a731f20e59031dfaf2bc</guid><pubDate>Mon, 03 Aug 2026 14:42:16 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/9546bd_760cec20f3454b43a5469cb0e4514fb1~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[Un vrai artiste, ça désobéit. Un bon collectionneur, ça l’encourage.]]></title><description><![CDATA[Avec the Alphabet, Pauline Faieff transforme un corps censuré par les algorithmes en un langage à partager. Collectionner ce travail, c’est choisir de désobéir aussi.]]></description><link>https://www.agencenana.com/fr/post/un-vrai-artiste-%C3%A7a-d%C3%A9sob%C3%A9it-un-bon-collectionneur-%C3%A7a-l-encourage</link><guid isPermaLink="false">6a70a69c74653e170f8b52e8</guid><pubDate>Mon, 03 Aug 2026 14:33:52 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/9546bd_7ad23db3c09d49c3bd6941c151075143~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[A REAL ARTIST DISOBEYS. A GOOD COLLECTOR ENCOURAGES IT.]]></title><description><![CDATA[With the Alphabet, Pauline Faieff turns a body censored by algorithms into a language only humans can read. Collecting this work means choosing to disobey too.]]></description><link>https://www.agencenana.com/post/a-real-artist-disobeys-a-good-collector-encourages-it</link><guid isPermaLink="false">6a9ee6f3aa08e4ecef164140</guid><pubDate>Mon, 03 Aug 2026 14:33:52 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/9546bd_7ad23db3c09d49c3bd6941c151075143~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[La footballisation du marché de l'art contemporain]]></title><description><![CDATA[Une grande galerie fonctionne aujourd'hui comme un grand club. On ne défend plus une œuvre, on défend une marque.]]></description><link>https://www.agencenana.com/fr/post/la-footballisation-du-march%C3%A9-de-l-art-contemporain</link><guid isPermaLink="false">6a7094414a4afb8865c7625e</guid><pubDate>Mon, 03 Aug 2026 13:19:24 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/9546bd_da6f8ca17ad44faba748d21a1567e798~mv2.jpg/v1/fit/w_1000,h_667,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[Le dilemme de positionnement des artistes : marché de l’art ou culture ?]]></title><description><![CDATA[Le marché de l’art sélectionne. La culture fait circuler. Comment articuler rareté, visibilité et impact pour développer une carrière d’artiste sur les deux terrains.]]></description><link>https://www.agencenana.com/fr/post/le-dilemme-de-positionnement-des-artistes-marche-de-l-art-ou-culture</link><guid isPermaLink="false">6a9ee6f3aa08e4ecef164141</guid><pubDate>Fri, 09 Jan 2026 12:15:58 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/9546bd_1e92d93117e54dac973434934a24f967~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Annelise Stern</dc:creator></item><item><title><![CDATA[THE ARTIST POSITIONING DILEMMA: ART MARKET OR CULTURE?]]></title><description><![CDATA[It took me a few years to understand the difference between the art market and culture. A few more to understand how to reconcile these two worlds in an artist’s career — and in my own. These lines put nine years of reflection and experience into words. Reading them earlier would have saved me time. I hope they do the same for you.]]></description><link>https://www.agencenana.com/post/le-dilemme-de-positionnement-des-artistes-march%C3%A9-de-l-art-ou-culture</link><guid isPermaLink="false">6960ecab448b5a633f0d9c4c</guid><pubDate>Fri, 09 Jan 2026 12:15:58 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/9546bd_1e92d93117e54dac973434934a24f967~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Annelise Stern</dc:creator></item></channel></rss>